Tag Archives: Hetty King

Just a quick word

Postcards were a fashionable and practical way of communication in the time before phones and social media. They were used in different ways – to wish a friend a happy birthday, to pass on information or just to keep in touch. Performers would send them out to agents in the hope of getting work and fans would search for the perfect card to add to a collection. There are many apologies on the backs of cards for failing to find the desired image and hopes expressed that the card sent will be enjoyed. Picture postcards could only be sent from 1894 and postcards sent previously could be devoted to writing only. The postal service was reliable, with more than one collection and delivery a day. This meant that arrangements could be made, changed or confirmed at short notice.

Marie Dainton

A card of Marie Dainton sent to Miss Railton from Bridgend in 1905 tells her that Mother has arrived safely and that Mrs Gammon and Herbert was meeting us at the station. In February 1904 the same Marie Dainton sends a postcard to herself from herself for luck. She was appearing in the Chinese Honeymoon as Mrs Pineapple.

Hetty King

Minnie writes to Mrs Locker on a card of Hetty King in 1906 to let her know that she is going on alright with her housekeeping and that Clare comes down to visit and she makes me the beds.

Gertie Gitana

Ethel Larder in Louth receives a card of Gertie Gitana which the writer, Florrie, bought at the Palace Theatre in Hull. She says Gertie was the star artist and the card was sold to support the Belgian relief fund.

The Edivictas

A card of a cycle act is sent with the stark message don’t forget to give our Willie the milk to bring up.  There is no date, sender or recipient so it could have been left propped up on a mantelpiece or pushed through a letterbox. Perhaps Willie turned up with the milk before it was sent.

La Milo

Pansy Montague, known as La Milo, caused raised eyebrows by posing as a living statue covered in alabaster whitening with a few strategically placed pieces of white material. She took part in a parade in Coventry in 1907 as Lady Godiva which caused a great scandal, although an anonymous correspondent writing to Clara cannot see that there is much in the postcard to make a fuss about. He had enjoyed himself at the music hall the previous night.

‘M’ receives a card asking if she has ever tried the Halls. The writer suggests the picture is M in a bathing costume and encourages her to try the hand balance in the sea where it would be an attraction, although cold.   

Finally an all lady rifle act send out postcards to say they are ‘vacant’ October 27th and onwards (no year). Their permanent address is 29 Richmond Terrace, Clapham Road, London.

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Brighton Hippodrome

The Brighton Hippodrome started life as a skating rink and then became a circus before finding it’s true calling as a venue  for dramatic and variety performances in 1902. Tucked away in a narrow side street the rather plain exterior hid a glamorous venue designed by Frank Matcham, the theatre architect extraordinaire. IMG_0029It held around 2000 people and had five bars, refreshment rooms, lounges and promenades, warehouses, stabling and a large open yard. Before the grand opening a journalist from the trade paper, the Entr’acte, remarked that the facilities for dispensing liquors are very considerable while an advert for musicians states that evening dress and sobriety are indispensable. There was to be an orchestra of eighteen musicians, all to be experienced in the variety and circus business, and a first violin, piano, cello and bassoon were needed to complete it. In July 1901 first-class acts of all kinds were directed to write immediately to secure their bookings.

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Vesta Victoria

We know that the biggest music hall stars of their day appeared at the Brighton Hippodrome, including Marie Lloyd, Vesta Tilley and Hetty King. Vesta Victoria, a very popular singer and comedian, had an off-stage adventure during her time at the Hippodrome in 1906. She went for a moonlight motorboat ride with some friends and when they were seven miles out to sea the petrol for the engine caught fire. They couldn’t put out the flames and the Derby Daily Telegraph reports that just when the situation appeared to be desperate, Miss Vesta Victoria lit upon the expedient of tying her motor-veil to a boat-hook and of waving it in the moonlight. This was seen by fishermen who rescued the group and brought them ashore.

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Vesta Tilley

In her autobiography, Vesta Tilley tells of her experience in Brighton when playing the Hippodrome in the First World War. As Brighton was a coastal town no lights were permitted at all and she says she was obliged to literally feel her way from the Hippodrome to the Metropole Hotel each night after the performance. On one particularly dark night she and her maid found their way to the seafront and Vesta suggested guiding themselves by the railings. They finally realised they were getting no closer to the hotel and found they were walking round and round a small circular  garden in the centre of the road. VestaTilley is reputed to haunt the Brighton Hippodrome, but in a dress rather than stage costume, and there is said to be a whiff of her favourite perfume backstage.

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Marie Lloyd

 

In 1921 Marie Lloyd appeared before the Duke of York (George VI) and the Prince of Wales (Edward VIII) at the Hippodrome and received the royal approval in that the ‘democratic‘ Prince of Wales applauded the performance despite the fact that it was not customary for royalty to applaud in theatres. So in the year before she died Marie was accepted and appreciated by the establishment.

To end with a bizarre story – in March 1907 the Mid-Sussex Times reported that the musical director at the Brighton Hippodrome had written to say that one of his hens had laid an egg weighing over five ounces. The egg could be seen at the Hippodrome any evening.

 

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This is the Hippodrome at the present time. There is a campaign to save and restore the building. The website is ourHippodrome.org.uk

Thanks to the British newspaper archive.co.uk, Recollections of Vesta Tilley, Marie Lloyd – Richard Anthony Baker

 

 

What do the cards tell us?

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Florrie Forde

Music hall and pantomime postcards were sent for reasons from the elevated to the mundane, to increase a collection of photos of a favourite artiste or to tell a friend there was tripe for dinner. In 1907 Ethel apologises for not sending the Florrie Forde postcard that Amy really wanted and sends Florrie in a greatcoat instead. We don’t know if Amy ever  found the desired card but we have it here – Florrie Forde in Dutch costume.

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Happy Fanny Fields

Happy Fanny Fields was an American who performed in Dutch costume with clog dancing being an important part of her act. The sender of the card adopts a humorous tone explaining that ‘sa‘ cannot write as she is busy making bloomers. The writer is pleased to have finished the washing and got Frank’s stockings darned with a chips and fish supper to look forward to, followed by ice-cream and (hard to read, so possibly not) tripe. The next day there will be liver and onions and savoury pudding for dinner.

Ella Grahame sends a card from Warsaw featuring herself and Rosey Anslow in their roller-skating act. She asks if the recipient likes her in pants – ‘ what price this for swank’ – and says that the people there can’t get past the size of her bottom.

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Anslow & Grahame

Hetty King, the male impersonator and pantomime star features on two cards sent by the same person, who identifies himself using only initials. In 1907 he writes to Mrs Baldwin to say that he is still surviving but mother ‘has got them again.’  The same recipient learns that the sender got two valentines ‘one a rotten the other a nice tie.’ He also had a fine lecture off ma.

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Hetty King

 

 

 

 

Marguerite Broadfoote tells us modestly that ‘there is a much better picture of myself on the postcards – a profile head. This one is not considered a good likeness.’ Vanity, vanity.

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Marguerite Broadfoote

Who sent the cards?

Sometimes the comments on the back of the postcards can be quite intriguing. On turning over a photo of Vesta Tilley we find a message from Ernest to Miss Eva Cooper in Dublin, sent from Glasgow in 1906. It says ‘we broke all previous records here yesterday. Had two of the biggest houses we ever had. Had a postcard from Holmes and one from Quigley...’ This sounds like music hall or theatre performances. Was Vesta Tilley involved? Was the postcard from Sherlock Holmes? The realms of fantasy are endless. Whatever the answers, it’s a wonderful photo.

Ernest's card of Vesta Tilley

Ernest’s card of Vesta Tilley

Then, as now, there were avid collectors of postcards but no short-cuts to finding that elusive special card. Nelly writes in 1906 apologising to her aunt, Mrs Thoruley in Bolton, as she can’t get the Vesta Tilley card she wants but instead sends one of Vesta with a cigar in the uniform of a soldier. Annie sends a card from West Hartlepool to Miss Turner to say it is the only one she can get of Vesta Tilley, this time holding a cigarette dressed as a young man about town. In 1905 Charlie is pleased to be able to send a card of Vesta at all as he has had to try several shops before being able to get it.

According to Norah in 1906 Hetty King has rather a nice face and Miss Greenhalgh of Southport receives a card from GS which says, ‘I believe you like sailors?’ This is written on the back of a card showing Hetty as a pipe-smoking sailor.

Hetty King - for anyone who likes sailors

Hetty King – for anyone who likes sailors

Bert also sends a card of Hetty the sailor to Aggie in 1907. It is rather touching as he writes, ‘you may expect me home on Fryday (sic). The boat leaves here at 9 o’clock but we don’t know what time we will get to Nottingham.’  

The card writers often apologise for their poor writing, explaining it is a ‘wretched pen‘ or they are writing while standing-up. Experience of trying to decipher these messages has taught me that handwriting was as varied then as it is now and was by no means an art form which has now been lost. I have a few cards sent to Seddon Cox Esq from Babs which are in mirror writing. They all feature Gabrielle Ray and Miss Craske and Babs remarks on the sauciness of the card shown here. I’ve included the back of the card as well for translation by the keener among you. Click on it and you should get an enlarged picture.

Mirror writing

Mirror writing

Gabrielle Ray and Miss Craske

Gabrielle Ray and Miss Craske

Performers used their own publicity postcards to communicate with boarding-houses and arrange meetings up and down the country. The Kebbles sent a card from Southport to Edward Stream telling him they will travel overnight to Edinburgh and asking him to call on them at their lodgings at Mrs Shaw’s.

The Kebbles card sent to Edward Stream

The Kebbles card sent to Edward Stream

Madeline Rossiter thanks Mrs Brown ‘in haste’ for sending on a handkerchief and Ruby Rowe asks God to bless Mr & Mrs Stream in 1921. Miss Effie Fellows ‘the one and only perfect boy’  uses her postcard to tell us she is the ‘one and only male impersonator who has dared to visit Scotland Yard, London, England in male attire without being discovered. She has repeated this stunt in every large city throughout the universe.’ 

Effie Fellows - the one and only Perfect Boy

Effie Fellows – the one and only Perfect Boy

Last, but not least, is Phyllis Broughton who was a Gaiety Girl and appeared on the theatre and music hall stage. She addressed and stamped cards of performers to herself and asked them to sign and return them. I have a Vesta Tilley card and one of Sybil Arundale, an actress and star of pantomime and musicals, with Phyllis’s address on the back.

Postcard addressed to  Phyllis Broughton

An example of Phyllis Broughton’s self-addressed postcards

Phyllis Broughton was at one time engaged to a colliery owner, John Hedley, but sent him a telegram to break off the engagement when she received a marriage proposal from the heir to Earl Cowley. The heir subsequently jilted her so she sued him for breach of promise, winning the case and a substantial sum of money. John Hedley had built a house for Phyllis and he kept this empty but in good repair as a shrine to her. It is said he sent her a basket of fruit and flowers from the garden every week. When he died he left most of his estate to Phyllis but she had pre-deceased him. The house became a home for distressed actors and actresses.

Phyllis Broughton

Phyllis Broughton

Who’s a pretty boy?

Emma Don 1873-1951

Emma Don 1873-1951

Male impersonators are a fascinating part of music hall history and I have a lot of postcards of these artistes. This post is mainly pictorial and then in the next post I’ll choose one performer to talk about in more detail. I can’t resist showing the not so good along with the sublime and I’ll leave you to decide which is which.

Gertie Lewis Photo around 1908.

Gertie Lewis
Photo around 1908.

Hettie (Hetty) King 1883-1972

Hettie (Hetty) King
1883-1972

Vesta Tilley 1864-1952

Vesta Tilley 1864-1952

Deb St Welma  Aka Deb Webb and Teddie Webb. Photo around 1917.

Deb St Welma. Also appeared as Deb Webb and Teddie Webb.    Photo around 1917.

Bessie Bonehill 1855-1902

Bessie Bonehill
1855-1902

Ella Shields 1879-1952

Ella Shields
1879-1952

Flo Dixie  Photo around 1921. Described as the bantam male impersonator.

Flo Dixie
Photo around 1921. Described as the bantam male impersonator.