Category Archives: Music Hall

Behind the scenes

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Waiting to go on at the Royal Music Hall

Music hall life was often far from the glamour and glitter we might imagine as this description of a dressing room by singer Lilian Warren shows. She is being interviewed for the trade Paper The Era in 1905 and remembers how artistes would apply their make-up by a ‘small piece of candle’ and a mirror which they supplied themselves. She tells of a music hall in Aberdare where thirteen performers shared one dressing-room where they clubbed together to make the room more acceptable. Lilian bought coal for the fire and the other girls provided the candles. By the time of her interview there had been a marked change with more comfortable, clean dressing-rooms provided.

 

 

 

Jenny Hill

Jenny Hill, ‘The Vital Spark’ became a successful and respected serio-comic but started life in poverty. At a young age she was articled for five years to the Bradford Tavern and her life was not her own. She started work cleaning the bars at a very early hour and then was expected to be changed and in the singing room by mid-day  to harmonise with the drinkers. She often worked until 2am and food was scarce. Jenny died in her late forties and her early life took a great toll.

 

 

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Marie Lloyd

Marie Lloyd was known as being kind-hearted and was well aware of class distinction and the poverty of the working classes. One day she was leaving a music hall at the end of a performance when she found a group of children round the stage door. They had no shoes and generous Marie took them to a local shop and bought them boots. The next day they were at the stage door again but with no boots. This was recounted by another performer who was with Marie Lloyd at the time.

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Vesta Tilley

 

Vesta Tilley encountered a different kind of behind the scenes experience when performing at a dinner for ‘the poor of London’ given by the King. She arrived at a large building in the city wearing her Eton schoolboy costume and found there were several rooms being used for the dinner. She was running up and down the stairs trying to find the right room passing various officials on the way. Vesta heard one of them indignantly comment that the problems were not helped by these boys getting in everyone’s way.

 

 

In her autobiography Vesta Tilley remarks on the rivalry that could exist between performers amid the desire to be top of the bill. There could be appropriation of a successful artiste’s songs or of part of their act and music hall managers were often unsympathetic as they could pay the imitator less money. Vesta felt that in some cases the audience wanted a particular song rather than a particular singer. She mentioned the case of mimics such as Cissie Loftus who was acknowledged as an excellent performer but would have songs lifted from her act by others who made little attempt to portray their subject in a way that was recognisable to the audience.

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Cissie Loftus

 

Music hall performers had their highs and lows on and off the stage but they understood their audiences and their audiences loved them for it.

 

 

Thanks to the British Newspaper Archive, Recollections of Vesta Tilley, The Early Doors – Harold Scott

 

 

 

 

 

 

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Brighton Hippodrome

The Brighton Hippodrome started life as a skating rink and then became a circus before finding it’s true calling as a venue  for dramatic and variety performances in 1902. Tucked away in a narrow side street the rather plain exterior hid a glamorous venue designed by Frank Matcham, the theatre architect extraordinaire. IMG_0029It held around 2000 people and had five bars, refreshment rooms, lounges and promenades, warehouses, stabling and a large open yard. Before the grand opening a journalist from the trade paper, the Entr’acte, remarked that the facilities for dispensing liquors are very considerable while an advert for musicians states that evening dress and sobriety are indispensable. There was to be an orchestra of eighteen musicians, all to be experienced in the variety and circus business, and a first violin, piano, cello and bassoon were needed to complete it. In July 1901 first-class acts of all kinds were directed to write immediately to secure their bookings.

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Vesta Victoria

We know that the biggest music hall stars of their day appeared at the Brighton Hippodrome, including Marie Lloyd, Vesta Tilley and Hetty King. Vesta Victoria, a very popular singer and comedian, had an off-stage adventure during her time at the Hippodrome in 1906. She went for a moonlight motorboat ride with some friends and when they were seven miles out to sea the petrol for the engine caught fire. They couldn’t put out the flames and the Derby Daily Telegraph reports that just when the situation appeared to be desperate, Miss Vesta Victoria lit upon the expedient of tying her motor-veil to a boat-hook and of waving it in the moonlight. This was seen by fishermen who rescued the group and brought them ashore.

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Vesta Tilley

In her autobiography, Vesta Tilley tells of her experience in Brighton when playing the Hippodrome in the First World War. As Brighton was a coastal town no lights were permitted at all and she says she was obliged to literally feel her way from the Hippodrome to the Metropole Hotel each night after the performance. On one particularly dark night she and her maid found their way to the seafront and Vesta suggested guiding themselves by the railings. They finally realised they were getting no closer to the hotel and found they were walking round and round a small circular  garden in the centre of the road. VestaTilley is reputed to haunt the Brighton Hippodrome, but in a dress rather than stage costume, and there is said to be a whiff of her favourite perfume backstage.

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Marie Lloyd

 

In 1921 Marie Lloyd appeared before the Duke of York (George VI) and the Prince of Wales (Edward VIII) at the Hippodrome and received the royal approval in that the ‘democratic‘ Prince of Wales applauded the performance despite the fact that it was not customary for royalty to applaud in theatres. So in the year before she died Marie was accepted and appreciated by the establishment.

To end with a bizarre story – in March 1907 the Mid-Sussex Times reported that the musical director at the Brighton Hippodrome had written to say that one of his hens had laid an egg weighing over five ounces. The egg could be seen at the Hippodrome any evening.

 

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This is the Hippodrome at the present time. There is a campaign to save and restore the building. The website is ourHippodrome.org.uk

Thanks to the British newspaper archive.co.uk, Recollections of Vesta Tilley, Marie Lloyd – Richard Anthony Baker